This post offered,
over the last few weeks, several ways to identify the personalities in your
fictional characters and ensure that they each stay true to that personality
type.
We discussed
identification via elements. Water (people pleasers). Fire (passionate and
reckless). Earth (logical). Air (in their own worlds, trapped in their own
obsessions, oblivious to the events that surround them).
We discussed
identification via animals. Horse (career motivated). Sheep (love motivated).
Dragon (revenge and spite motivated). Tiger (seeker of power). Peacock
(motivated by vanity).
Now, let’s examine
one of the oldest personality classification systems: the four humors (a.k.a.
the four temperaments).
People once
believed that the amount of certain fluids in your body determined your
personality, and thus the manipulation of these fluids could change your
personality.
Blood, phlegm,
black bile, and yellow bile serve as these four fluids and go by the names of
Sanguine, Phlegmatic, Melancholic, and Choleric.
The story line
that best demonstrates these four humors? Remember Teenage Mutant Ninja Turtles? Yep. Those
guys. Not those lazy “characters” from the recent Michael Bay movie—we must
never speak of those again.
Michelangelo
represents the Sanguine, or Blood, given his fun-loving recklessness.
Raphael represents
the Choleric, or Yellow Bile, given his short temper.
(Scholars of the
subject will take issue with me in these last two personality types. They will
insist that I labeled them backwards. I respectfully disagree.)
Leonardo
represents the Melancholic, or Black Bile, given his seriousness and desire to
help those around him.
Donatello
represents the Phlegmatic, or Phlegm, for his introverted and introspective
tendencies.
Now take the
protagonist from your own fiction. Decide which element she or he represents.
Decide which animal represents her or his motive. Remember that that motive
might (and perhaps should) remain a mystery to your character. Decide which
humor represents her or him.
Whenever you discover
yourself unsure of your characters’ actions, ensure that they behave as their
elemental, animal, and fluid personality dictate.
Remember also that
your protagonist (plus, perhaps, a few more of your characters) ought to
experience some form of change in their outlooks, and thus their personalities, by the time your story finishes with them.
Before I leave you
today, I wanted to mention that I'll attend some training with an
Army Reserve unit in Cape Coral, Florida, so most of my blogs next week will go
hungry.
I plan to at least
provide a movie review at moviesmartinwolt.blogspot.com, but I cannot make any
promises beyond that.
I shall, at worst,
see all of you on the 22nd at martinwolt.blogspot.com with a new
short story (we ought to see the conclusion of “Between a Grizzly and Her Cub”
in another three chapters).
Thanks for
reading!
I publish my blogs as follows:
Short stories on Mondays and Thursdays at martinwolt.blogspot.com
A look at entertainment industries via feminist and queer
theory, as well as other political filters on Tuesdays at Entertainmentmicroscope.blogspot.com
An inside look at my novel series, its creation, and the
e-publishing process on Wednesdays at Darkwana.blogspot.com
Tips on improving your fiction writing Fridays at FictionFormula.blogspot.com
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